Why I Keep Coming Back to Bobbles

One little stitch, so many ways to add texture.

The Humble Bobble

In my last post, I wrote about the joy of those smaller projects that take a little less time than the big blankets and winter throws. Lately, I’ve been thinking about some of my favourite crochet stitches, particularly the ones that add surface texture to my designs. One of the elements I find myself returning to again and again is the humble bobble.

There is something very satisfying about surface texture on a garment or a throw. I’ve watched visitors, including my grandchildren, take a throw off the arm of the sofa and drape it over their lap, and their hands automatically drift towards the textured areas. There is something about crochet that makes you want to touch it, and I think texture has a lot to do with that.

Of course, a “bobble” isn’t really one particular stitch. There are several different ways of creating that lovely raised texture, each with a slightly different character. Here are a few of my favourites.

Mock Bobbles

This is one of my favourites, although I only discovered it relatively recently.

Working with the wrong side of the work facing you, you make a short stitch – a UK double crochet or US single crochet – followed by a very long stitch, a UK double treble or US treble. Repeat that across the row.

The very long stitch folds over to the front of the work, creating a surprisingly effective little bobble.

I love this technique because it gives you texture without the bulk of some of the more traditional bobble stitches. It’s also wonderfully simple once you’ve got the hang of what is happening.

Clusters

Clusters produce a much rounder, more pronounced bobble, particularly when they are followed by a UK double crochet.

Clusters are worked with the wrong side of the work facing you, with several UK treble crochets worked into the same base stitch and then closed together. The following, shorter, double crochet pulls those longer stitches down, encouraging the bobble to pop through to the right side of the work.

The result is a lovely, rounded little mound of texture.

Popcorns

And then there is the popcorn – a prince amongst bobbles.

If you want your texture to make a statement, the popcorn is the one to choose. A group of UK treble crochets (US double crochet) is worked into the same base stitch. The final stitch is then joined back to the first, creating a much more substantial, prominent bobble on the right side of the work.

Popcorns have a definite presence. They aren’t shy little touches of texture; they want to be noticed!

From a Stitch to a Design

Sometimes a crochet design starts with a finished project in mind. I might know that I want to design a shawl, a blanket or a scarf, and then start thinking about shape, colour and stitch patterns.

But sometimes it starts much smaller.

It might be a stitch I want to play with, an interesting combination of textures, or simply a little swatch that makes me think, I like that.

From there, the questions begin. What happens if I repeat it? What if I change the spacing? Would it work as a border, a panel or an all-over texture? How would it behave in a different yarn?

And sometimes, somewhere along the way, that little piece of experimentation turns into a whole project.

Bobbles are particularly useful in this respect because there are so many ways to use them. They can be scattered across a plain background, arranged in stripes or geometric patterns, combined with other textured stitches, or used as a simple detail to lift an otherwise straightforward design.

I suspect that’s why I keep coming back to them.

If you’d like to see more of what I’m making, I share regular updates every Work in Progress Wednesday on Facebook and Instagram. There is always something on my hook, and quite often, it includes a bobble or two.

I’d love for you to join me there.

Until next time, happy crafting!

Rediscovering an Older Tunisan Crochet Pattern

In my last post, I shared some of the current  projects on my loom, wheel and hook. One of the joys of being a designer is looking back at where it all began. Sometimes you discover just how much you’ve learned. Sometimes you find a design that still makes you smile, and sometimes you realise an old favourite deserves a second chance. I’ve been writing and publishing patterns for crochet and Tunisian crochet since December 2020, and currently have over 70 active listings across Etsy and Ravelry, with some free patterns on my own website.  This week, I’m revisiting the very first Tunisian crochet pattern I ever published. 

On the origins of a Tunisan crochet blanket

The very first pattern for Tunisian crochet that I ever published was, not very imaginatively, called the Tunisian Bobble Blanket.  It was a relatively simple pattern that involved, unsurprisingly, lots of bobbles and the lovely Honeycomb stitch that helps counteract the curling that is often an issue with Tunisian crochet.  

How it started

Back in 2020, in the midst of lockdowns, sometimes yarn became quite tricky to get hold of.  My mum had a large stash of yarns that she needed to get rid of, and so I acquired nine 50g balls of Debbie Bliss Pure Cotton, an Aran weight yarn that had ceased being made in the 2010s, so clearly my mum had stored it for some time.  It was in a soft sage green colour, not one I would have chosen but, as I say, I was not really in a position to be picky.

Armed with little more than enthusiasm and a handful of Tunisian crochet stitches, I started designing a small blanket.  I wrote the pattern, checked it carefully, and published it to Ravelry for free (because hello lack of confidence).  I never imagined how many people would download it. It remains one of the most popular patterns I’ve ever released. 

Tunisan Crochet Pattern in review

Size-wise, the blanket works as a small throw, and can easily be made bigger by working more pattern repeats.  I like that the pattern is asymmetric, and that the bobble stripe down one side adds interesting texture.  The main body of the blanket, worked in honeycomb stitch, drapes beautifully.  What needs improving is the edging.  For some reason, I worked the outer borders in Tunisian Purl Stitch, which curls greatly, and then had to counteract that by working quite a chunky edging in standard crochet.  Looking at it now, I can clearly see how much my Tunisian crochet technique has improved over the last five years.  ‘Work the end stitch’ is the instruction at the end of most rows of Tunisian crochet, but where to insert the hook is not always clear.  You can almost see my confidence growing across the blanket. By the end I’d finally worked out exactly where to place that elusive end stitch. 

For the future

Revisiting older designs reminds me that creativity is a journey. Every pattern captures what I knew at that moment, and each one has taught me something new. The Tunisian Bobble Blanket may have been my first published Tunisian crochet pattern, but I’m looking forward to giving it the update it deserves and sharing it with a whole new generation of crocheters. 

If you’d like to see more of my older designs, I share regular updates every Throwback Thursday on Facebook and Instagram. I’d love for you to join me there and see what I’ve been making each week.

Until next time, happy crafting!

Sue