weaving – Pearson Handmade

In my last blog post, I shared a few thoughts about different types of fibres. This week, I’d like to look at some of the small but important steps to take before you settle down to spend time crafting. For me, preparation is not a chore to rush through, but a quiet part of the making process in its own right.

Gauge

Sometimes gauge matters, and sometimes it really doesn’t. If you’re planning to make a fitted garment, it’s worth taking the time to work a sample using your chosen yarn and hook or needles. Nobody enjoys making a gauge swatch, but it’s far worse to spend hours on a project that turns out far too big or far too small.

For items such as blankets, throws, or cushion covers, gauge is usually less critical. A few extra rows or stitches more or less will often make up any discrepancy. I have a small mountain of gauge samples and swatches which, when the mood takes me, I add to whichever freeform crochet project I’m working on.

Yarn Balls and Skeins

Some balls of yarn are designed for a centre pull, and others really aren’t. I quite like a centre pull, as it stops the yarn rolling around while I’m working. Sometimes you’re lucky and find the end with very little fuss; other times you’re rewarded with an impressive yarn barf, feeling as though you’ve disembowelled the ball entirely.

Some crafters wind all their yarn into neat cakes as a matter of course. I’m not one of those people — I tend to take my chances. That said, if you’re working with skeins, they absolutely must be wound into a ball or cake before use. Skipping this step is almost guaranteed to lead to tangled fibre and hours of unnecessary frustration.

Read the Pattern

Before you begin, take a moment to read the pattern properly and make sure you have everything it calls for. Alongside needles or hooks, does it require stitch markers, cable needles, stitch holders, or beads? There’s nothing more frustrating than getting into a good rhythm, only to have to stop and wait for the shops to open because you’re missing a crucial item.

Spinning Fibre

When spinning, I usually work with combed tops. The best advice I ever received was to pre-draft — gently easing the fibres apart along their length between your hands, working down the fibre and back again. It makes the spinning process feel much easier and more controlled.

Once you’ve filled a bobbin with singles, let the fibre rest for at least 24 hours before plying. That pause really does make a difference.

Weaving Fibre

I weave on a rigid heddle loom, and once I’ve chosen the yarn for my warp, my next decision is the size/dent of the reed. I have a bamboo blind, cut to size, on the back beam, so that when I wind on the warp, the yarn spreads evenly. The warp has a huge impact on the finished fabric, so it’s worth taking your time here.

However you choose to spend your crafting time, I hope these reflections encourage you to enjoy the preparation as much as the making itself.

Happy crafting — and next time, I’ll be turning my focus to the tools I find most useful.

Sue

Last week, I wrote about blocking and how to give your finished projects a truly professional finish. This week, I’m exploring the two crafts I spend most of my time with: crochet and weaving. Both bring me so much joy, but in very different ways.

Crochet: My First Craft Love

My mum taught me to crochet when I was in Primary school. I still remember making long chains to use as ties for a classroom project! Crochet has stayed with me ever since—partly because it’s incredibly versatile, and partly because it’s so portable. One hook and a ball of yarn can go anywhere.

Over the years, I’ve explored lots of different crochet styles, and each one offers something unique:

Standard Crochet

Probably the most familiar style, with a huge range of stitches to create texture, lace, or dense fabrics—whatever your project calls for. Patterns range from simple and soothing to wonderfully challenging, using both written instructions and charts.

Tunisian Crochet

One of my favourites. This style uses a long hook (or one with a cable) to hold multiple loops, almost like a hybrid of crochet and knitting. When worked flat, you keep the right side facing and alternate a Forward Pass and Return Pass. It’s also lovely worked in the round for throws or tall cowls. I learned this technique from books and from Toni Lipsey’s excellent YouTube tutorials.

Mosaic Crochet

There are two main types: inset and overlay mosaic.

Inset mosaic uses simple stitches and two colours on alternate rows—no endless ends to sew in! Esme Crick’s Mosaic Crochet Workshop is a fantastic introduction.
Overlay mosaic is more complex and creates those dramatic, slanting patterns. Each row is cut at the end, so there are plenty of ends to deal with, but the results are stunning. Alexis Sixel’s Dark and Dramatic Mosaic Crochet is a brilliant guide.

Mochila Bag Crochet

This technique creates sturdy drawstring bags, often paired with a woven strap—a perfect blend of the two crafts I love. It’s a slow, meditative process, and I can’t recommend Marion Verloop’s Facebook group, Mochila Style Crochet, highly enough—the files section is a treasure trove.

Freeform Crochet

Anything goes! I learned freeform crochet at my local wool shop, and I love making small motifs and joining them onto bags or felt boxes as decoration. It’s improvisational, creative, and wonderfully freeing.

Weaving: A Newer Creative Journey

Compared to crochet, I’m still relatively new to weaving.

I first learned inkle weaving when I discovered Mochila bags, as it’s the traditional technique for making the straps. My husband even built me a loom from shed scraps during the Covid lockdown—and it’s still going strong!

In the summer of 2024 I moved on to a rigid heddle loom so I could create scarves and shawls. Mine lives on the kitchen table, always warped and ready to go. I’ve experimented with patterns, but I’ve realised that for me, weaving is a way to decompress. Rather than counting picks or following charts, I weave whatever I’m feeling, usually resulting in organic, random stripes in beautiful yarns.

Lately, I’ve also started exploring off-loom weaving, using interesting stones I find on my walks as the base. These tiny woven pieces scratch a completely different creative itch, and for these, I do enjoy following a set pattern. If you’re curious, Lark and Bower offer excellent online classes.

Whichever craft speaks to you—crochet, weaving, or both—I hope you find joy in the making.
Happy crafting until next week, when I’ll be sharing some of my favourite colour combinations.